The juror is Aaron Parazette, whose work has been seen recently at the Dallas Comtemporary. I’m very honored to be a part of this great show that more than 70 artists will be a part of. The last day to see the show is March 4. Come by and have a look!
After several months of wondering whether I should or not, I have finally opened up an Etsy shop!
Right now, the only item listed is my Golden Gate Bridge photo, but I’m hoping to add more items soon. Hopefully some paintings will be available too. I have a few that are almost complete. I’ll be starting a Florence Welch painting in a few days, so maybe that will be for sale in the near future.
Have a good week everyone, and please stop by my shop and let me know what you think! This is all very new to me. so if anyone has any ideas as to which photos I should put up for sale, that would be very helpful.
Starting December 9, my photograph What a Tangled Web It Weaves II will be showcased at the 9 x 12 Works on Paper exhibit at the Fort Worth Community Arts Center. The exhibit will last until December 28. There will be an artist reception on December 9 from 6-9 p.m. Hopefully I’ll be able to attend around 8 p.m. Hope to see some of you there!
Sculpture has never really been a main artistic interest of mine, but Tony Cragg’s exhibit at the Nasher Sculpture Center in Dallas may have changed my mind. Seeing Things was an exhibit full of mostly nonlinear and free-standing shapes.
Instead of just utilizing materials such as wood and bronze, he also incorporates everyday objects such as dice into his work. When I say dice, I mean thousands of the darn things. The best part? He does it all himself. Usually artwork of this scale is made with the help of several assistants. I have respect for Cragg because of that (well, besides being an immensely talented artist of course). Most artists of his stature would not be so hands-on.
Besides sculptures, Seeing Things also includes paintings, drawings, and installations. One particular piece, Congregation, is made of various wooden objects with hooks attached to them. From far away, the wood appears to have some kind of frosted layer on top, but inching closer reveals an exterior of metal hooks.
Cragg’s drawings possess an intense energy. Curved lines flow in no particular pattern across the page, leaving little white space. The backgrounds of many drawings include grid-like straight lines, giving a graphic and architectural quality to his work. The exhibit as a whole reflects the artist’s obvious obsession with shape, whether it’s in 2D or 3D form.
Perhaps more trips to the Nasher will now be in store.
All photos taken by me